全球首屆斯芬克斯元宇宙戲劇節由北京戲劇家協會和北京青年戲劇工作者協會、北京次世文化傳媒有限公司主辦，由北京市文學藝術界聯合會支援，由孟京輝擔任戲劇節藝術總監，劉暢擔任總監製，聶競竹擔任策劃總監，陳燕擔任“元宇宙”技術總顧問，由孫曉星、陳婧姝、王之綱、張武、塞巴斯蒂安·凱撒擔任獨立策展人，798作為戲劇節的“首席藝術生態戰略夥伴”共同打造。
The world's first Sphinx dollar Cosmos Festival was organized by the Beijing Association of Theatreists and the Beijing Youth Theatre Workers Association and the Beijing Next World Cultural Media Ltd., with the support of the Beijing City Union of Arts and Arts, Menjing Xinghui as Director-General of the Theatre Festival, Yong-ja as Director-General, Chen Yan as Director-General of Planning, Sun Xiaoxing, Chen Chen Jing, Wang Jing, Zhang Wu, Sebastian #183, and Caesar as a stand-alone exhibitor, with 798 as the “Chief Partner in Arts Life” for the Theatre Festival.
全球首屆元宇宙戲劇節于4月15日正式開幕
On April 15th, the opening of the world's first Won Cosmos Festival was opened.
4月15日晚，300余位對世界與未來充滿好奇心的嘉賓齊聚北京798CUBE，共同見證首屆斯芬克斯元宇宙戲劇節的開幕！一場為期23天的現實與虛擬世界相融合的元宇宙戲劇大派對也正式開啟！
On the night of April 15th, more than 300 guests, curious about the world and the future, gathered in Beijing to witness the opening of the first Sphinx Dollar Cosmos Festival. A 23-day confluence of reality with the virtual world was also officially opened.
首屆斯芬克斯元宇宙戲劇節特邀作品之一，由藝術家、音樂人、軸廠（OXYZ3）創始人陳陳陳監製的作品《超現劇場（The Surrealist Theatre）》也于活動現場特別發佈。
One of the first invited works of the Sphinx dollar Cosmos Festival was the special launch of The Surrealist Theatre by Chen Chen, an artist, musician, and founder of OXYZ3.
開幕式于晚上10點正式開始，“各位嘉賓、觀眾、媒體朋友以及全球戲劇人，大家晚上好！我是來自中國的AI人類觀察者，MERROR。”伴隨著AI人類觀察者MERROR的開場致辭——虛擬人形象由AIGC和TTS技術塑造——當下最前瞻的科技應用進一步模糊著虛擬和現實的界限。
The opening ceremony began at 10 p.m.: “Good evening, guests, viewers, media friends and global dramatists. I am an AI Human Watcher from China, Herror.” With the opening remarks of the AI Human Watcher MerRor — a virtual image shaped by AIGC and TTS technologies — the forward-looking technology should be advanced to blur the boundaries of fiction and reality.
致辭結束，一份由清華大學美術學院教授、博導、知名新媒體藝術家、視覺導演、策展人王之綱老師設計、長達2分鐘時長的多媒體影像作品《域·閾The maze》將現場觀眾瞬間引入想像的世界。該作品以數字化形態和先鋒藝術表達，探討空間場域與個體閾值的抽象表達及辯證關係，傳遞出對於人、科技與藝術的永恒思考。元宇宙空間、現實空間、虛擬空間、劇場空間......科技革命下，當空間形式被不斷切割、重組、延伸、拓展，聚合其中的我們，作為個體態的閾值也由此被牽引和重構，在恰如迷宮般的未來場域中，探索屬於生命的極限。戲劇舞臺的多重樣態，元宇宙世界的未知與可能，讓斯芬克斯元宇宙戲劇節充滿了不被定義的無限可能。因而創作者們嘗試以即興創作的方法，讓最原始的思維和感知充分碰撞，在想像與科技的交融中，以先鋒影像藝術表達推開“元宇宙+戲劇”的未來之門。
The speech ended with a two-minute multi-media image by Professors of the University of Qinghua's School of American Arts, mentors, renowned new media artists, visual directors, Master Wang's teacher, Doss & #183; The maze, bringing the viewers of the scene into the world as a matter of imagination. The work, in its digitized and pioneering art, explores the abstract and dialectic relationship between spaces and individual values, and disseminates the permanent thinking of people, technology and art. The multiplicity of scenes in theatres, the unknown and likely nature of the universe in the context of the technological revolution, allows us, as a body value, to be drawn and recreated, and explores, in just the far future, the ultimate limits of life.
夜晚的798CUBE盒院已經提前被裝扮成了沉浸表演的現場，眾多嘉賓媒體和戲劇藝術好友們等待著一場未知的感官風暴，在這個春風沉醉的夜晚，盒院的墻體上投射出一些神秘詩句，像是宴會的主人對所有來客的歡迎致辭：
The 798 CUBE boxhouse at night has been pre-dressed as a immersion scene, with many guests of the press and theatre art friends waiting for an unknown sensory storm, and on this spring-drinking night, the walls of the boxyard cast some mysterious verses, such as the words of welcome to all guests by the owners of the banquet:
只有三個人聽見了我們的話，
Only three people heard what we said.
講話的你，聽話的我，還有他，
You, me, him.
天空撲向我們，把你在我夢中珍藏，
And the sky fell upon us, and treasured you in my dreams.
那是一朵玫瑰在我心底綻放。
That's a rose in my heart.
去跨越宇宙的全境。
Go across the universe.
通過無際的時間的時候不會迷失嗎？
Don't you get lost when you go through time?
此時此刻，這件驚人的大事剛傳入人們的耳朵裏。
At this moment, this amazing event has just entered people's ears.
雷電需要時間，星光需要時間，
Thunder takes time. Starlight takes time.
但我們已經有目共睹，
But we've already seen it.
斯芬克斯元宇宙戲劇節蓄勢待發
Sphinx dollars cosmopolitan drama is ready to go.
來到此地的朋友們
Friends who have come here.
斯芬克斯元宇宙戲劇節就這麼開始了
That's how the Sphinx Won Cosmos Festival started.
前面的桌子上是為大家準備的餐點飲品
There's something for everyone on the table.
請大家隨意取用
Please use it whenever you like.
在這個空間裏、這個時間裏，
In this space, in this time,
漫步、舞蹈、搭訕、吹噓，喝點美酒，吃點美食。
Walking, dancing, setting up, bragging, having some good wine, eating some good food.
斯芬克斯元宇宙戲劇節，
Sphinx dollar cosmonautial festival,
開始了！
Here we go!
開幕大戲《浮士德》元宇宙首演
Opening Show Faust's Cosmos premiere 由孟京輝導演最新戲劇作品《浮士德》已在北京蜂巢劇場開啟元宇宙首演！作為全球首屆斯芬克斯元宇宙戲劇節開幕大戲，《浮士德》的故事從虛擬現實開始、在三維立體展開、于二維平面結束。孟京輝帶著對《浮士德》的敬畏和熱愛，為科技“加戲”、為戲劇“尋新”。魔鬼為所有人都發出慾望賭局的邀請，而科技則為敢於“以靈魂為契”的觀眾撬動元宇宙夢境之門，讓《浮士德》的故事在虛擬現實中展開。專注于虛擬生態構建的「次世文化」獨家提供《浮士德》的虛擬人、數字身份支援。「大有」空間科技有限公司，把《浮士德》約15分鐘的重要情節同步搬進「大有」元宇宙虛擬世界，與北京蜂巢劇場現場演出形成虛擬現實結合、線上線下呼應的超感體驗。在這場戲劇藝術與前沿科技共同譜寫的浩瀚讚歌中，觀眾們一同在無垠夢境中入戲、在真實空間裏共振、在人生畫卷裏刻下獨一無二的戲劇記憶。 The story of Faust, which began as a virtual reality, began in a three-dimensional stereo, and ended on a two-dimensional level. With fear and passion for Faust’s new play, it was “plus” for technology and “new” for dramas. The Devil’s call for a gambling board for all, and technology for a 15-minute viewer’s idea of “Soul-for-Soul” universe, has moved the story of Faust from the virtual reality to the virtual reality, to the virtual reality, to the virtual creation of the “sub-Cultural Culture” family, to provide a virtual person, digital support for Faust’s work, to “newize” the drama. 首屆斯芬克斯元宇宙戲劇節匯集五大亮點 the first five bright spots of the Sphinx Dollar Cosmos Festival 導演劇目之豐：藝術家陣容集結百位國內外劇壇巨匠與新銳力量，他們將帶來65部泛戲劇作品，集合成8大板塊與觀眾相見。 Directed by a great show: Artists gathered hundreds of giants and new powers from foreign and domestic theatres, bringing together 65 dramas and eight panels to be seen by the audience. 地域涵蓋之廣：北京、上海、廣州、阿那亞、紐約、巴黎、柏林等全球多個城市聯動開展，建立全球戲劇人群的新生態系統體系。 The region has a wide geographical coverage: Beijing, Shanghai, Guangzhou, Anaya, New York, Paris, Berlin and many other cities around the world have started to create new systems for the global theatre community. 演出場地之新：除了常規劇場演出場所之外，戲劇節將探索其各種形式和可能性的場域，納入美術館、商場、社區等，同時在網際網路平臺進行線上展演，創建持續性的元宇宙“泛文娛”內容創作及分發社區。 New places: In addition to regular theatre theatres, the festival will explore its various forms and possibilities, including art galleries, malls, communities, etc., and will also be on-line on an Internet platform to create a continuing meta-cosm “panic entertainment” and distribution community. 科技公司之多：17家國內外頂尖科技公司將為元宇宙戲劇節的想像插上翅膀，保駕護航。 The number of technology companies: 17 state-of-the-art technology companies, both within and outside the country, will put wings in their wings to protect the imagination of the Woncoscopic Theatre. 非人類參與之奇：虛擬人、AI、動植物，也將成為戲劇的主角。 Non-human participation wonders: Virtual people, AI, vegetative plants will also be the main actors in the play. 八大藝術板塊65部元宇宙戲劇多維度來襲 Eight pieces of art, 65 pieces of cosmic drama, multi-dimensional. 此次斯芬克斯元宇宙戲劇節共分為八大板塊：國內精彩展演、國際縱橫劇場、藝術互動劇情、沉浸樂園劇集、線上演繹劇院、跨界聯合區域、峰會論壇聯盟、藏品蟲洞系列。將集結百位國內外劇壇巨匠與新銳力量，在戲劇節八個板塊共同呈現帶來65部泛戲劇作品。 The Sphinx dollar Cosmos Festival is divided into eight major pieces: the national show, the international theatre, the art interactive drama, the immersion theatre, the online theatre, the cross-border union, the summit forum coalition, and the collection worm hole series. 首屆斯芬克斯元宇宙戲劇節讓想像與科技碰撞，打破疆域，致力於一個擴大人們對戲劇本質和戲劇未來新理解的可能性！以多元化、互動性、未來感的藝術形式，打造更年輕、更好玩、更有創意的戲劇藝術現場。 The first Sphinx dollar Cosmos Festival brings imagination and technology together, breaks borders, and seeks to expand people's understanding of the future of theatre and drama. Creates a younger, more fun, more creative theatre art scene in the form of diverse, interactive, future-senseed art. 科技與藝術共創，斯芬克斯元宇宙戲劇節不止于“戲” Technology and art co-founder, Sphinx Dollar Cosmos Festival goes beyond "theatrical" 從提出“元宇宙戲劇節”的想法開始，幾位發起人都有一個共同的願景，要為全球藝術愛好者們打造元宇宙專屬的沉浸式、虛擬與現實的雙重體驗。為此，集結了一眾國內科技領域具有遠見卓識的先行者，在技術、硬體、場域及內容上達成深度並具有創造性的合作。17家國內外頂尖科技公司將為元宇宙戲劇節的想像插上翅膀，保駕護航。戲劇節聯合世界五大戲劇節共同發聲，打破疆域界限，時間限制，戲劇藝術的新里程碑的現世。戲劇論壇將與國內科技界翹楚、媒體一起實現跨領域、跨地域的討論，提出現有問題的解答可能性，找出對未來的提問方向。在蟲洞單元，我們將由和戲劇相關的NFT藏品、元宇宙市集，交換式拍賣，線上線下孿生、虛擬實體共存。同時，聯動全球首所元宇宙藝術學院Meta Art Academy （由知名院校中國美術學院主導創建）開啟元宇宙藝術教育及學術討論。斯芬克斯元宇宙戲劇節也將秉承更加開放的態度，將戲劇節中所有探討出來的新藝術概念、創作出來的新藝術模組開放給所有參與的人，在未來也持續的共同創作、共同演繹。 Starting with the idea of the “Scope Festival”, 17 top technology companies within and outside the country will have a common vision to build wings for the contours of the Meso-Coscene Festival and to preserve it. The show will unite the five plays of the world, breaking their boundaries, time limits, the new landmarks of the theatre art. The theatre forum will share the knowledge of the nation’s technology, the media, cross-regional discussions, and present an answer to the problems that exist, and will find a way to look into the future. 虛擬人生態合作夥伴次世文化助力藝術科技想像 Simultaneous Partnership in Life with Next Generation Cultural Support Art and Technology Imagination 作為專注于虛擬生態構建的科技公司，次世文化此次作為全球首屆斯芬克斯戲劇節承制、虛擬人生態合作夥伴，罕見地將國內頂尖技術資源進行聚合，聯動了業內數家資深和新興科技公司入駐戲劇節，深度參與劇目製作。作為打造了翎LING、南夢夏、ASK等知名虛擬人IP以及迪麗冷巴、韜斯曼等明星虛擬形象IP的公司，次世文化善於挖掘新形態的內容載體，並積極構建以數字身份為核心的元宇宙生態系統；本次聯合斯芬克斯戲劇節，是雙方在內容形態和創意想像上的一次重要且新奇的探索，將著力於構建一個更加開放和融合的元宇宙生態，並以戲劇導演、演員、藝術家、音樂人等的優質內容為當下戲劇觀眾、網際網路3.0時代用戶呈現更加多元、生動的虛擬世界。“對於一個元宇宙戲劇節來説，社交屬性肯定是非常重要的，次世文化在和孟京輝團隊一起設計這次戲劇節的過程中也在諸如公眾號、虛擬空間、線下劇場等虛實場景中融入了給予數字身份的社交內容，將戲劇節打造成首個全球化內容集中分發的社交平臺。”戲劇節聯合主辦、承制、虛擬人生態合作夥伴、次世文化創始人&CEO陳燕在採訪中這樣説道。 As a technology company dedicated to virtual life, the next world culture, as a partner in the creation of the world’s first Sphinx drama and virtual life partnerships, has rarely brought together the country’s top technological resources, bringing together a number of industry-based and new technology companies into a drama festival and deeply involved in the production of the drama. As an important and innovative exploration of content and imagination, the next generation of famous virtuals such as Ling, South Ninxia, ASK, and other stars such as Dili Kempa, Jiansman, the second generation culture has been able to tap into the content of the new form and develop the geocosm system with a digital identity at its core, and this joint Sphinks show has been used to create an important and innovative exploration of content that will build a more open and integrated version of the fictional image IP. 元宇宙就是下一代藝術形式的載體 The meta-cosmos is the body of the next generation of art forms 全球首屆元宇宙戲劇節，是首次嘗試元宇宙與實體劇場，虛實結合的創作與IP化行銷新模式。觀眾還沒來劇場前就可以通過VR或app獲得輕度沉浸式的體驗，讓更多人有興趣去線下劇場看戲。戲劇散場之後，觀眾可以在元宇宙二刷三刷，還能聚在一起討論戲劇，形成元宇宙的私域流量。在元宇宙裏聊和樂，在實體劇場裏全身心的觀賞，獲得最佳看戲劇體驗。元宇宙裏的人聚得快，傳得多，覆蓋面廣，這樣實體戲劇就可以更好的IP化，其他藝術形式也是如此。大有使用真正的元宇宙VR技術，將劇作家的意境渲染出來，輔助現場進入實體演出。做為戲劇節戰略合作夥伴、元宇宙技術提供方，杭州大有空間科技有限公司創始人、CEO黑羽説：“現實裏的蜂巢劇場數量是有限的，元宇宙裏的蜂巢劇場是無限的，我們大有堅信元宇宙可以把藝術家的想像力忠實再現，它是下一代藝術內容的載體，也是藝術觀眾和愛好者聚集的部落。” After the end of the show, viewers can spend the first time trying to create a new model of virtual cosmopolitan and virtual cosmopolitan production and IP marketing. People can get a lightly immersion through VR or app before they come to the theatre, so that more people can be interested in going down to the theatre. After the end of the show, viewers can come together to discuss the play in the semi-cosm, to create a private flow of the meta-cosm. Chat and fun in the meta-cosm, full physical and psychological viewing in the theatre, to get the best viewing experience. People in the meta-cosm have come together quickly, to spread a lot, to cover their faces, so that the actual drama can be better IPized, as well as in other art forms. Using real meta-cosm VR techniques, to bring the scene into play, to help the scene into reality. META CAALAB|“酒神劇場"驚艷呈現 META CAALAB > "The Wine Theater &quat; Surprise 全球首屆元宇宙戲劇節斯芬克斯元宇宙戲劇節邀請劉昊威帶領的CAA建築事務所設計了一個漂浮在元宇宙世界的戲劇之城一“酒神劇場”。META CAALAB|元宇宙規劃局聯合百度技術團隊完成了“酒神劇場”的開發與建設，該建築目前已坐落在由百度開發的國內首個元宇宙平臺希壤元宇宙。 The world’s first dollar space drama festival, the Sphinx dollar Cosmos Festival, invited the leading CAA architectural firm to design a “Drama of Liquor” in the city floating in the world of Woncos. The META CAALAB cosmopolitan cosmopolitan team completed the development and construction of the “Drama of Liquor”, which is now located in the country’s first-ever space, the Pythrome. 首席藝術生態戰略夥伴798助力元宇宙戲劇節將虛擬精彩引入現實 The 798 Auxiliary Space Theatre Festival, a leading art-life strategy partner, introduced virtual beauty into reality. “斯芬克斯元宇宙戲劇節”與北京七九八文化科技有限公司達成戰略合作夥伴關係。本屆戲劇節特邀798作為戲劇節的“首席藝術生態戰略夥伴”，798藝術區也會作為本屆戲劇節的主會場，呈現精彩紛呈的劇目。798藝術區是全球文化藝術愛好者的集散地，有著極強的群體價值，與798的聯袂，正因它是一個文化藝術産業發展的中心，很好的承載了多元化文化藝術生態。 The Sphinx dollar Cosmos Festival has entered into a strategic partnership with Beijing 798 Cultural Science and Technology Limited. This theatre festival is invited as a leading art-life strategic partner for the drama, and the 798 art district will also be featured as the main venue for the festival. The 798 art district is a confluence of lovers of global cultural art, with a strong group value, a connection with 798, as it is a centre for the development of cultural art and is well-placed in the diversity of cultural art. 與“斯芬克斯元宇宙戲劇節”的深入合作，也是798探索科技與藝術融合發展的又一次全新嘗試。“斯芬克斯元宇宙戲劇節”希望借此機會，將戲劇節“元宇宙”的概念，結合iCUBE Museum所探討的虛擬、現實空間關係的議題不斷延伸和擴展，在充滿戲劇化的視覺實驗中，展現衝突、反差共存的關係。798CUBE執行館長李東妊對當天媒體表達：“798CUBE的宗旨是致力於科技與藝術的發展融合，我們希望不斷引入跨界合作，促進新興科技與前沿藝術的碰撞交流。所以對於這次斯芬克斯元宇宙戲劇節的合作，我們充滿了期待。” Deep collaboration with the Sphinx dollar Cosmos Festival is another new attempt to explore the integration of technology and art. The Sphinx dollar Cosmos Festival hopes to provide an opportunity to combine the concept of the drama festival, the “MegaCosmos” and the virtual, real-time and spatial relationships promoted by iCUBE Musium, and to show the relationship between conflict and discord in a dramatic visual experiment. Li Dong-gi, the CEO of the 798 CUBE, said to the media on that day: “The purpose of the 798 CUBE is to integrate science and art, and we hope to continue to introduce cross-border cooperation and to promote a clash between new technologies and cutting-edge art. 北京七九八文化科技有限公司總經理劉琛説“元宇宙的概念對我們來説，真的是不管你願不願意，它都已經在發生和發展。我們要做的就是讓我們現在的藝術展覽和戲劇本都在探討這個虛實融合的世界，元宇宙未來要走到哪是未知的，但是必需有我們參與其中，去展開創造和想像！” "The concept of the Won-Cosm is really happening and developing, whether you like it or not. All we have to do is let the art show and the playbooks of our present explore the world of virtual integration, where the Won-Cosm will go in the future unknown, but we must be involved in the creation and imagination." 斯芬克斯SPHINX——古希臘語裏代表“活生生的想像” SphinxSPHINX > - Ancient Greek represents “living imagination” 古希臘的斯芬克斯用一個謎語為人類打開理解自身本質的大門，現在我們用“元宇宙戲劇節”打開對末來、對人類進步的探索方向。元宇宙就是現代的斯芬克斯，一個充滿未知、未來、未見的世界。 The ancient Greek Sphinx has opened the doors of understanding the nature of humanity with a riddle, and now we have opened the course of exploring the end and the progress of mankind with the “Major Cosmic Theatre Festival.” The meta-cosmos is the modern Sphinx, a world full of unknown, future, invisible.
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